Joe Somoza at El Bar Palacios

I want to catch up now on some things that have been on the back burner for a while.

In October I drove up to the Palacio's Bar in Old Mesilla a few minutes outside Las Cruces. For years now a group of poets have been hosting an open mic poetry series the 3rd Tuesday of every month. Joe Somoza was one of its founding members. Joe has long been a fan of open mic series. He likes the democratic ambiente. I don't go to many but when I do I enjoy myself. Anyway the night I was there Joe read two poems he had written that week. He said he was still fiddling with the poems and reading them aloud to an audience gives him a way to listen to the words different. I enjoyed his reading and the poems very much--playful and pensive and, if I may say, lonely in that way that happens along when we get older. I know the feeling. I drove home (50 miles) with enough energy to write in my journal and take some notes on some poems  I've been working on. And I wrote to ask Joe if I could paste the poems in my blog. Here they are.

●

Late Quartet

Beethoven must’ve been deaf

by then. But not blind—though

what does that mean?

That two “buts”

don’t make an “and”?

Outside the window, sun and leaves

don’t concern

themselves with my phrasing.

They’re making love this morning,

turning sunlight to

maple trees

for later generations to sit under

the boughs,

or look out their windows

at them while smoking

pensively, as we did,

when cigarettes, cheap then,

made you feel cool, not

contaminated,

though everything you do

kills you

eventually. Is this why Beethoven sounds

so sad, so richly

melancholic, so continually

expressive

in the darker tones—that he saw

when he could no longer

hear?

______

The Private Lives Of Words

I don’t want to sound

“public.”

I don’t want, even, to pretend

to some importance.

So why set the words

down—preserving them.

For others?

Clarifying them

for myself?

Already, you see patterns

start to form.

The words, once

written down, call

to other words.

It’s so lonely

on the long, blank page,

so isolated living in your head,

behind eyes that are

forever looking

at the surfaces of things

from their secure

outpost, wondering

how it would be

inside—

inside a locust tree, for instance,

or a hummingbird.

Even inside that old rocking chair

sitting in the living room

since Mary, the ex-neighbor, sold it

at a yard sale.

And it’s stayed

against that wall, overshadowed

by the piano, hardly noticed

beside the shelves of multi-colored novels

that probably

commune

with each other nights—

Hemingway continuing his belligerence

with Fitzgerald. De Maupassant

chatting with Flaubert.

You get some words together, and you

never hear the end of it.