Friday evening, June 10th, 2011, citizens of El Paso marched across the International Bridge to Juarez, Chihuahua, Mexico, to join la Caravana por Paz y Justicia, led by Mexican poet Javier Sicilia and citizens of our sister city to protest the on-going violence in Mexico, especially in Juarez. For more information about the march, read Debbie Nathan's article here in Colorlines
When I have the opportunity, I will add more about this event and the pact that was signed by organizations on both sides of the river.
Showing posts with label Juarez and the Border. Show all posts
Showing posts with label Juarez and the Border. Show all posts
6.14.2011
8.10.2010
TODOS SOMOS JUÁREZ: Peace for the Border
Poster by Antonio Castro H. Antonio grew up in Juárez and now lives in El Paso. He certainly feels a deep sorrow for his city as witnessed by the poster. His father, the artist Antonio Castro L., still lives in the home in Juárez where he grew up, but his son wants him to move across to this side. Antonio H, besides being a professor of Graphic Design at UTEP and is the principle designer for his own graphics art firm, has designed many of our prize-winning Cinco Puntos Press titles, and on a number of occasions he’s collaborated with his father Antonio L who is one of our most important illustrators. They are good men, good artists, good friends and good role models for young artists growing up on either side of the border. They are at home on the border and they feel a terrible sadness for this on-going tragedy.
We all wish peace for the City of Juárez.
7.07.2010
Dreaming Martino's, Dreaming Juárez
Dennis Daily--musician, musicologist and library archivist (@NMSU at the time)--took these photographs at Martino's Restaurant on Sunday March 23, 2003. These waiters, busboys (see note) and chef had served me, my family and friends for years. I have their names in a file somewhere that I cannot find. The last time I was over in Juárez, Martino's was simply a bar that opened at 6pm. I don't go across that late to find out what's going on. The on-going counting of the murdered dead continues to overwhelm the city. This last Sunday was election day. 13 people were killed. Families are leaving, businesses are closing. But Martino's has always been an important place for me. A piece of the culture and ambiente of El Paso and Juárez. For those of you who don't know Martino's or Juárez, I'm pasting below an article I wrote around the year 2001 for a local magazine. It gives you some gist of what the restaurant and the city used to be. And below that is a sweetly humorous photograph, taken by good friend Michael Wyatt, of the famous parking sign that stood in front of the restaurant.
[NOTE:In a restaurant in Mexico, to get a waiter’s or mesero’s attention, you use the word “Joven” which translates literally as “young man.” I never was comfortable using the word in Mexico, especially at Martino’s. As you can see from Dennis' photographs, these guys were all grace and style and for many years they were my senior. Especially my all-time favorite, a man named Moises II, a Peter Lorre look-alike who retired sometime in the 1990s. So when I wanted another beer or martini, I said “Señor.” Even in speaking with the busboys. I felt more comfortable like that, even though sometimes it took a while for them to realize I was trying to get their attention.]
[NOTE:In a restaurant in Mexico, to get a waiter’s or mesero’s attention, you use the word “Joven” which translates literally as “young man.” I never was comfortable using the word in Mexico, especially at Martino’s. As you can see from Dennis' photographs, these guys were all grace and style and for many years they were my senior. Especially my all-time favorite, a man named Moises II, a Peter Lorre look-alike who retired sometime in the 1990s. So when I wanted another beer or martini, I said “Señor.” Even in speaking with the busboys. I felt more comfortable like that, even though sometimes it took a while for them to realize I was trying to get their attention.]
●☼●
Things You Can’t Do in Austin or Santa Fe, #3
(Written sometime around 2000-2001)
This is a message to those thirty-something and forty-something and fifty-something paseños who worry themselves silly because they’re not able to spend enough time and money in Santa Fe or Austin:
PLEASE DO AS I INSTRUCT YOU.
Walk south along El Paso Street past the Camino Real, the pawnshops, the shoe and clothing stores and the peculiar assortment of other thriving businesses. You will come to a bridge that crosses a river. On the other side of the river the bridge will miraculously unburden itself in another city that exists in another country. This is a foreign city and a foreign country. Indeed, you can go to London or to Paris and you won’t be in a country as foreign to you as the city and country on the other side of that bridge.
If your heart is open, you will be amazed at this journey. It’s like you have walked into a story that Gabriel Garcia Marquez is writing. You remember Gabriel Garcia Marquez, don’t you? You read his books in college. If you didn’t, you should have. Make a note to yourself to buy 100 Years of Solitude the first chance you get.
If you are a little bit waspish, or if you look perhaps like someone who will vote for George Bush, then the people in this foreign city will look at you like you are a foreigner. Trust them. They are right. Suddenly you are a foreigner. It’s like walking through a mirror. That’s okay though. They want you to enter their country because you probably have money in your pocket and credit cards in your wallet. In fact, you might think about giving some of the change you are rattling nervously in your pocket to the indigenous women and children who will greet you with their outstretched hands. These families--the tiny women in the colorful dresses, the men in the white pants and shirts, the children hungry and forlorn--are the Tarahumara. They have fled the Sierra because of the never-ending drought and their fear of the druglords and logging companies who are usurping their homelands.
You might be overcome with sadness, even remorse, seeing the poverty of the Tarahumara. Likewise seeing the poverty of some of the other citizens of this country. Maybe this is why you have forgotten about the Bridge from our country into their country. You didn’t want to look into the heart of such poverty. I can understand that. They can understand that. But give them a quarter. Or even a dollar. It won’t hurt you. It might even help you. Just please don’t sully their proud history by naming a polo club Tarahumara. This would be an arrogant and ugly act.
But this is not the reason you have crossed the Bridge.
You have crossed the Bridge so that you can go eat at a restaurant that is a few blocks further down the street. Don’t bother telling this to the cab drivers who want to take you to the market or to the bullfight or to a girlie show which is only around the corner anyway. Just ignore those guys and walk straight to Martino’s.
Martino’s is waiting for you next to the historic Kentucky Club. You might even want to have a drink at the Kentucky Club before going next door to Martino’s. Fine. The place has a wonderful old-fashion mahogany bar and a long mirror where you can sit on a stool and contemplate the meaning of things. The bartenders serve ice-cold Mexican beer, and they fix a decent and inexpensive drink. The bathrooms sort of stink, but that’s okay as long as you sit toward the window. If you see friends of your sons and daughters--indeed, if you see your sons and daughters--ignore them like you ignored the cab drivers. You are in a foreign country, they are in a foreign country, and you are turning another page of the story written by Gabriel Garcia Marquez.
So it’s time you enter Martino’s.
Before entering, however, peer inside through the big plate glass window. You will notice two things--first, the very neat and semi-elegant motif is bronze with red and white table clothes and huge mirrors, and, second, there are not too many customers inside. In fact, if you look closely, you might notice that there are more waiters inside than there are customers. This always mystifies me. Martino’s is my favorite restaurant and it is never full. Why? Because people like you are not crossing the Bridge to eat there. This is why I have brought you here. I love Martino’s. I want to see the waiters and the busboys and the cooks and the owner making money. I don’t want Martino’s to disappear like Julio’s disappeared.
So don’t be worried about the emptiness. You will enjoy yourself.
Entering Martino’s is a pleasure like an oft-practiced ritual is a pleasure. You push open the glass door and a waiter neatly dressed in a white jacket will be waiting for you. He is glad to see you. He and his colleagues quietly organize your table, they insure that you are comfortable. You soon realize that--no matter how good the food will be--the real pleasure of Martino’s is how the waiters treat you with respect and gentleness. They are never in your face, but they appear miraculously when they are needed. Like they too have read 100 Years of Solitude and they have learned the genuine meaning of service. My favorite is Moises II who looks like Peter Lorre and who first waited on my wife Lee and I in the 70s. But two or three others rival him in the soulful practice of the art of being a waiter.
Now that you are seated at Martino’s, I want to give you some advice
If this is your virgin crossing, don’t worry about the water. It’s bottled water. The ice is from bottled water.
Once you’re beyond the question of water, I recommend you order a martini straight up (derecho) with either Tangueray or Beefeater’s as your gin of choice. Vodka, of course, should not be considered. Although other devotees of Martino’s praise the traditional Margaritas, or the icy exotic drinks of greens or blues, or even the exquisitely cold beers, I believe my recommendation leads you deeper into the mystery that I perceive at Martino’s. The waiter prepares the martini at your table. It is a ceremony worth watching, a sacrament to enjoy, and it’s certainly well worth the 4-bucks you pay for the pleasure. Especially since it’s a double.
Like many restaurants on the other side, the menu at Martino’s is huge, and I have never come close to eating everything. If you want something before dinner, the shrimp and octopus cocktails are good, the escargot (or so says my friend Willivaldo Delgadillo) is delicious. When you’re choosing an entrée, stick with the steaks and fishes. Under no circumstances choose a Mexican dish. They don’t know how to cook Mexican food at Martino’s. Also, stick with the simply prepared foods. Our experience with the paella, for instance, is that it was excellent one visit and lousy the next.
I usually get the chateaubriand cooked on the grill or pan-fried French-style in butter. I order my steak medium-rare, and the chef has never disappointed me. The meat is very tender and very delicious. It rivals any steak served in El Paso. Guaranteed. At $10.95 it’s truly one of the great deals anywhere near our city.
The fishes are a number of different fillets, or whole Black Basses, cooked in a variety of ways. They also have lobster and shrimp dishes. I don’t know anybody who has ever had the lobster. All entrees come with a soup, salad and potato. My favorite soup is the French onion. It’s delicious. Even my snotty New York friends say it’s delicious. But Martino’s has other soups, each with its fans--a hot potato soup and two cold soups, avocado and a gazpacho.
Sadly, the salads are commonplace--iceberg lettuce and tomatoes with the usual suspects for dressings. Oh, well. I eat them and am happy I did. I notice, however, that my friends sometimes don’t eat the salads. I don’t know if they’re worried about getting sick or simply don’t like iceberg lettuce. I never ask.
After dinner, the waiter will offer you a wide selection of deserts ranging from a raging flambé to the traditional flan. Lee and I usually get the flan with a bunch of spoons for everybody. It’s truly rich and delicious. I may even go whole hog and get a good shot of brandy in a snifter and a cup of coffee. Why not, huh?
I hope you enjoy Martino’s. I hope you sit close enough to the big front window so you can watch all the different kinds of people walking by. Doing so is an act of meditation, one that is amplified by the fact that you’re in a foreign country but close to home. The waiters somehow recognize the fact that you are meditating and they leave you alone.
If you’re a man, I hope you visit the bathroom so can enjoy the old-fashioned pleasure of melting the ice in the urinal.
When you’re done, pay with a credit card because you get a much better rate of exchange. BUT tip the waiter with cash. U.S. dollars. Twenty-percent at least. The staff will have earned that amount easily. Besides, you’ve had a truly wonderful dinner for somewhere around $20 a head. That’s very good for the excellent evening you’ve had.
The waiters will shake your hands as you leave. Go back outside into the noise and the traffic of the night. All sorts of kids will be on the street full with a wild energy that you lost long ago. They might frighten you, they might worry you. That’s okay. You can remember the confusion in your own heart at that age, no? Walk back to the Bridge, poking your head into the stores and into the discos.
I hope you’re full of wonder...
(Photo by Michael Wyatt)
5.14.2010
MURDER CITY
Everyday I pray for the people of Juárez. Literally, I pray. I light a stick of incense and pray for peace, good health and spiritual well-being for the people of Juárez. If you pay attention to the news, you know my praying does nothing, but it keeps the city and its people in my mind and heart. Like most everybody else I’m overwhelmed by the bloodshed. I don’t go over there much anymore and I don’t write much here on my blog about the city. Other people do the writing much better that I ever could. Especially the journalist Charles Bowden. I emphatically suggest you read his new book Murder City: Ciudad Juarez and the Global Economy's New Killing Fields (Nation Books). Juárez has become his tar baby. He’s slapped it across the head a couple of times (see Note 1) and each time his fist gets stuck deeper in the goo. The bloody mess of flesh and bones. And the River Styx washes away the names of the dead. Violence, Bowden shows us, doesn’t work, no matter its scale. The citizens of Juárez must repeat this truth everyday of their lives, but the sicarios, the killers, they aren’t listening. Nor would they care if they were listening. As I write this well over five thousand people have been killed since the bloody reign terror began in 2008, over 800 have been killed in 2010 alone, and the homicides in April have been approximated at 205--more than double the number of 90 registered in April 2009 and four times the number of 55 cases in the same period in 2008. The month of May is keeping pace (Note 2). A few weeks ago, on just one day the killers found 22 more souls to dispatch to the other side. The governments and the mainstream media want to ascribe causes to the carnage. They are either liars, or they still believe in solutions. They certainly don’t look deeply into their mirrors. But the violence in Juárez is proving to be more like a viral epidemic, like AIDS or the Black Plague, except the host body is culture and government. There is no cure, no silver bullet. Its beginning is hypothesis, its end will not be found in the blather of politicians and talking heads, and certainly not by more violence--whether sanctioned by the government or not.
Murder City documents the year 2008, the year that the murdering began. It coincides, of course, with Mexican President Felipe Calderon’s infamous and duplicitous declaration of war against the cartels. Bowden, like Alice, does decide to walk into the mirror and see what awaits him. More than ever now, he becomes a subject of his writing as he wanders the streets of death with his list of names and places, trying to catch hold of some sort of understanding. Some theory to serve as anchor in the flood. Factual school-learned journalism doesn’t work. Statistics, names of the dead and descriptions of murder scenes don’t carve real substance into the readers’ heart. They don’t or won’t listen sincerely, the statistics become mottos for cocktail parties and e-chatter, the kind of abstractions that remain arms-length from the human heart. But Bowden wants his reader to feel the terror and inhuman evil of the epidemic. It’s the conundrum, although contrary, that a religious mystic confronts—how do you explain the experience of God to somebody who hasn’t experienced God? Bowden is pointing his finger at the blackest of moons. He finds us real live people to create a four-headed Virgil to guide him through this 21st Century inferno, these peculiar buoys that float up almost unbidden in the muck to direct him toward the deepest ring of hell:
Miss Sinaloa: a beauty queen from the state of Sinaloa. Her story begins as the archetypical story of the beautiful Mexican woman, but because of the glories of her body, she becomes trapped in the web of the narcotraficantes. She goes to a party in Juárez to have a good time, she's fed drugs and booze, she’s raped and sodomized for three days and then she finally re-surfaces at the “crazy place” where El Pastor looks after her. She becomes Bowden’s imaginary, but very real, companion in the City of Juárez. She’s a vision of lost beauty, she whispers truths in his ear and she understands the needs of the human heart and body.
El Pastor: the rehabilitated drug addict who went out into the desert and finds Christ (Note 3). On his return he builds “the crazy place” from the rubble of Juárez and there he houses and cares for the lost souls of the city, the lepers and untouchables of Juárez, people like Miss Sinaloa. He teaches Bowden about compassion and the meaning of love. He is no romantic. He is afraid. He knows he might die. In fact, as I write this, he might already be dead.
El Sicario, the hired killer: as far as I know, this is the first extended recorded interview with a Mexican narcotraficante since Terrence Poppa interviewed Pablo Acosta and documented it in Drug Lord. It’s a frightening interview. Not only the interview itself, but the details of finally getting in touch with this man who, because he has felt the presence of God, wants somehow to find a little bit of peace. Like with El Pastor, the discovery of God has found him some relief but the residue of his many murders still armors his body and mind.
El Reportero: Emilio Gutiérrez Soto, a reporter from Ascensión, Chihuahua (Note 4). He fled with his son to the U.S because the Mexican army was looking for him. They wanted to kill him. In 2005 he had reported about a specific incident of an Army patrol walking into a hotel where migrants stayed before their journey north in search of work. Migrants carry money and valuables, their tickets through their illegal passage. The Army knew this, and they robbed each and every one of them. Now the Army had threatened to kill Emilio. He fled for the border. He hoped he would get asylum, but what he got was a jail cell and a seven month separation from his son. Listen to what Emilio teaches Bowden:
It is possible to see his imprisonment as simply the normal by-product of bureaucratic blindness and indifference. But I don’t think that is true. No Mexican reporter has ever been given political asylum, because if the U.S. government honestly faced facts, it would have to admit that Mexico is not a society that respects human rights. Just as the United Stataes would be hard pressed, if it faced facts, to explain to its own citizens how it can justify giving the Mexican army $1.4 billion under Plan Merida, a piece of black humor that is supposed to fight a way on drugs. But then, the American press is the chorus in this comedy since it continues to report that the Mexican army is in a war to the death with the drug cartels. There are two errors in these accounts. One is simple: The war in Mexico is for drugs and the enormous money to be made by supplying American habits, a torrent of cash that the army, the police, the government, and the cartels all lust for. Second, the Mexican army is a government-financed criminal organization, a fact most Mexicans learn as children (page 202).And Bowden plays himself, a reporter, a character like Dante who is really no longer Charles Bowden, but the character who he must stand up in his place. As a poet, I find Bowden’s personal improvisations riffing off the confrontations and conversations with these four persons the most interesting writing in the book. Sure, Murder City is full of facts and first-person accounts and description, but he employs the methods of novelists and storytellers, and, even more radical, of poets to tell the fractured stories of Juárez.
The only other writer to come close to Bowden’s writing about Juárez is Roberto Bolaño. The great novelist, like Bowden, came to see the city of Juárez as emblematic of our new world. Of course, Bolaño doesn’t write about Juárez. He writes instead about the city Santa Teresa that he invents from the cloth of his imagination in “The Part about the Crimes” in his epic 2666: A Novel. In fact, Bolaño wrote from Spain as his own life was running to its conclusion. He used as source material El Huesos en el Desierto by Sergio Gonzalez Rodriguez, as well as a long correspondence with Gonzalez, who appears in a fictional role in 2666. I’m pretty certain that Bowden used El Huesos also (Note 5). Bowden and Bolaño tell all this much better than I, so I’m going to shut up soon. I do want to emphasize to you to read Murder City. When you’re done, read 2666. These are not only important texts for now, but for the years to come, even those years when the killing fields move from Juárez to the next place. They will still be the same killing fields. The same ignorant federal laws of prohibition and the human greed which capitalizes (as in “Capitalism”) on those laws will still be feeding the global killing fields. I wish I could say differently, but I can’t. These killing fields are one of the by-products of the Age of Globalization—our brave new world, a world of centralized corporatization and governmental regulation that segregates us further and further from a real understanding of ourselves and our planet.
I will continue to light my stick of incense for the people of La Ciudad Juárez. And for us all.
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Note 1. Juarez: A Laboratory of the Future and Down by the River: Drugs, Money, Murder, and Family.
Note 2. I get my figures from the Frontera List Serve. Molly Molloy at the New Mexico State Library monitors newspapers on both sides of the border and daily tabulates the ever-growing figures. I also recommend following Frontera del Sur, which also originates at NMSU through the Center for Latin American and Border Studies, especially the work of Kent Patterson. Thanks to all you guys. You do important work.
Note 3. People who write or talk about Bowden and his work rarely mention his ability to let others do their own talking. Both the Pastor and the sicario have had experiences of God. Those experiences are the foundations of their conversations with him. Bowden, on the other hand, is a big gregarious and hard-headed intellectual who did his apprenticeship with the likes of Ed Abbey deep in the outback, and he carries around a large backpack full of doubt like the rest of us in the intellectual community who read his books. Yet, he reports faithfully on these two men’s experiences of God without remark. And he likewise gives the late Esther Chavez Cano, an atheist, full voice in his description of her. Indeed, I think his writing on Chavez Cano is truly the greatest eulogy to this great lady that I have read Bowden understood her like he understood Miss Sinaloa and El Pastor and El Sicario and El Reportero. I applaud him. I applaud them all. And I might add, it’s almost impossible to write about Mexico without letting its peculiar and very complex spirituality seep into your writing.
Note 4. To read about Emilio in particular, you can read Bowden’s article online in Mother Jones: “We Bring Fear: A Reporter Flees the Biggest Cartel of all, the Mexican Army.”
Note 5. Maybe I’m wrong but I bet $10 that the woman Heidi Slauquet (page 31, Murder City) is the same party-hostess for the rich and famous who turns pimp for the narco-traficantes that Bolaño describes. She eventually ends up one more dead body on a road leaving Juarez.
2.15.2010
JUAREZ, JUAREZ: The March of Februay 13
Juárez, Juárez, no es cuartel
Fuera ejercito de el
Fuera ejercito de el
Juárez, Juárez, no es cuartel
Fuera ejercito de el
Fuera ejercito de el
This is video I took last Saturday in Juárez during the march protesting the nightmare of narco-violence and the army's occupation of the city. Ben Sáenz and I had walked over the bridge to be a part of that. There's not much else we can do. It’s a deadly waltz, these two dancers--the narco traficantes and the Mexican Army. The music is courtesy of the federal governments on both sides of the river. The Mexican government plays the guitar and the trumpet, and the U.S. strums on the bajo sexto, keeping the beat. Everyday citizens, like Gabriel who works for Lee and me, will tell you they don’t know what’s worse--the traficantes who are murdering each other and innocent bystanders, or the soldiers who are abusing the citizens and the society that are supposed to be protecting. The citzens are deathly afraid of both. Ben and I were happy we went. It was invigorating. Mostly young people (1500 by one count, "hundreds" by other count and I guessed it as 1,000 at least), lots of enthusiasm and vitality and joy, lots of anger, lots of solidarity and friendship. The marchers walked from the Parque de Benito Juárez to Avenida Diez y Seis de Septiembre to Avenida Juárez and then north to the Santa Fe Bridge where the pink cross stands commemorating the deaths of women in the city over the last two decades.
The events that triggered the rally and protest march are complicated--simply said, the people are angry and scared and fed up--but several recent incidents are the immediate cause:
The very highly publicized Massacre of January 31 which stunned Mexico and the world and the ensuing confrontation between Luz Maria Dávila (mother of two teenage boys who were killed) and Mexican President Felipe Calderon. On th night of the massacre hired assassins working for one cartel or another carried out a premeditated attack on a high school celebration and murdered 15 people, mostly teenagers. The Mexican government, stunned by the national and international outcry, quickly arrested two individuals who supposedly participated in the attack. If you like irony, try this--the continuing violence between cartels has accounted for the death of over 4,500 people in Juárez since January 1, 2008, and well over 90% of those murders have gone unsolved and unpunished.
And the much less publicized assassination of Josefina Reyes on January 3. Josefina was a political activist, known for her work in protesting the femicides in Juárez as well as her fight to protest installation of a nuclear dump in Sierra Blanca, TX. In recent months she had denounced the Mexican army’s human rights abuses in Juárez and condemned the military presence in the city, calling it unconstitutional. Josefina had been harrassed and received numerous threats from the army and others.
12.30.2009
ESTHER CHAVEZ CANO (1933-2009)
Esther Chávez Cano died in Juárez on Christmas Day. She was 76 years old. She was a hero, a fronteriza woman who in the early 1990s in Juárez saw the continuing tragedy of women being killed and decided to do something about it. With much help she started Casa Amiga near downtown Juárez. At the time it was one of only six rape crisis centers in Mexico and the only one on the U.S./Mexico Border. She brought international attention the continuing murders of women in Juárez and the uncaring and apathetic response by the Mexican government on all levels--city, state and federal--to these murders. Indeed, as we now know, law enforcement was more concerned with supporting the flow of illegal drugs into the U.S. than it was with investigating and prosecuting the murders of women. If anything, the authorities wanted to keep activists like Esther quiet because she brought attention to the vacuum of justice in Juárez. She has received many awards for her work, as the number of obituaries state, but she never veered from the task at hand--helping the women of Juárez.
In 2002, when Cinco Puntos Press was putting together the anthology PURO BORDER: DISPATCHES, GRAFFITI AND SNAPSHOTS FROM THE U.S./MEXICO BORDER, three of us--novelist Jessica Powers, who worked for us at the time, Lee and I—walked over the bridge and went to visit Esther at Casa Amiga. She was a diminutive and very hospitable woman with a quiet way about her but she had a presence that commanded respect. Her work at Casa Amiga was self-evident--women and children were coming and going, and some were staying, being protected inside the walls of the center from husbands or boyfriends who would harm them if they had the chance. Indeed, in December 2001 her receptionist, who had come to the center as a client, was killed by her husband in front of Casa Amiga. When we asked her why she started Casa Amiga, she replied quietly--
In 2002, when Cinco Puntos Press was putting together the anthology PURO BORDER: DISPATCHES, GRAFFITI AND SNAPSHOTS FROM THE U.S./MEXICO BORDER, three of us--novelist Jessica Powers, who worked for us at the time, Lee and I—walked over the bridge and went to visit Esther at Casa Amiga. She was a diminutive and very hospitable woman with a quiet way about her but she had a presence that commanded respect. Her work at Casa Amiga was self-evident--women and children were coming and going, and some were staying, being protected inside the walls of the center from husbands or boyfriends who would harm them if they had the chance. Indeed, in December 2001 her receptionist, who had come to the center as a client, was killed by her husband in front of Casa Amiga. When we asked her why she started Casa Amiga, she replied quietly--
“Because I am a woman, because I felt helpless and because I have a conscience.”
Below I am pasting the mostly unedited notes that Lee took during that visit that I found in our archives (Lee also took the photograph above), and below that I am pasting an article by Tessie Borden that originally appeared in the Arizona Republic and that we republished in PURO BORDER. But first, Casa Amiga as always needs financial help. Those who wish to help may do so by making a donation to their account:
**BANCO SANTANDER**
No. Cuenta: 65-50227820-0
CLABE 014164655022782007
Titular CASA AMIGA CENTRO DE CRISIS AC
1427 Suc. Plaza las Torres
Cd. Juárez, Chih. C.P. 32575
Notes from Esther Chávez Cano Interview, June 24, 2002
There is terrible violence against women right now in Juarez. She will give us her list of the names of murdered women with pleasure. She gathered the list from reading the newspapers. She only includes the names of murdered women, not of children, or of people who have disappeared. We asked if she thought the authorities had a bigger list and she said it will do no good to check with the authorities. The authorities will not give us access to names. Everyone who has a list has gathered their information from the newspapers. But what of the women who never get mentioned in the newspapers?
She said, Here is an example of a girl who has disappeared and of what has happened with the mother. She shows us a photo of a girl, Brenda Esther Afrara Luna, who disappeared two years ago when she was 15. Several months ago (time is uncertain), the mother was told by the authorities that her daughter has been found. But the mother went and looked and it wasn’t her daughter. Then they told her again they had found her. It was not the body of her daughter, but the body was wearing her daughter’s dress. It was very confusing. Esther said there are many cases like this. The mother in this case has endured a lot of domestic violence herself.
Casa de Amiga was started on February 9, 1999, about three and a half years ago. Esther is the founder. We asked her why she started it. She said because she’s a woman, because she felt helpless, and because she has a conscience. It was funded initially with $31,000 from FEMAP. Last week they received $25,000 from the U.S. embassy [see article below]. It is earmarked for a project to provide therapy for women who suffered incest, rape or violence as children.
Casa de Amiga is the only center of its kind all along the border, the only one in Juarez. There is nothing for battered women.
She mentioned that there have been two deaths in Chihuahua that have similar M.O.s. Why is it different here, we asked. Why is there more violence? This is the border, she said, with its traffic of drugs, its maquiladoras. Poor people come here to seek opportunities, they want to cross the river to live the American dream. In this city there are 500 gangs. There are no opportunities here, conditions are very poor. Have you been to Anapora? It’s a terrible place.
The police hate her. They don’t ignore her. “I would like it if they would ignore me,” she said. They campaign against her. One year and seven months ago, they began their campaign. Governor Patricio doesn’t like her: according to him, she doesn’t do anything right—she’s a terrible director, she steals the money, she herself is a violent woman. And so the stories go. When Esther began talking about the women, Patricio tried to silence her.
In this building, last December 21, 2001, her own receptionist was killed by her husband. This receptionist had four kids, eight years on down, and she was a wonderful worker, good, hard-working, prudent. The husband came to Casa de Amigo to kill her here. From jail, the husband has called for custody of the kids.
She said, Here is an example of a girl who has disappeared and of what has happened with the mother. She shows us a photo of a girl, Brenda Esther Afrara Luna, who disappeared two years ago when she was 15. Several months ago (time is uncertain), the mother was told by the authorities that her daughter has been found. But the mother went and looked and it wasn’t her daughter. Then they told her again they had found her. It was not the body of her daughter, but the body was wearing her daughter’s dress. It was very confusing. Esther said there are many cases like this. The mother in this case has endured a lot of domestic violence herself.
Casa de Amiga was started on February 9, 1999, about three and a half years ago. Esther is the founder. We asked her why she started it. She said because she’s a woman, because she felt helpless, and because she has a conscience. It was funded initially with $31,000 from FEMAP. Last week they received $25,000 from the U.S. embassy [see article below]. It is earmarked for a project to provide therapy for women who suffered incest, rape or violence as children.
Casa de Amiga is the only center of its kind all along the border, the only one in Juarez. There is nothing for battered women.
She mentioned that there have been two deaths in Chihuahua that have similar M.O.s. Why is it different here, we asked. Why is there more violence? This is the border, she said, with its traffic of drugs, its maquiladoras. Poor people come here to seek opportunities, they want to cross the river to live the American dream. In this city there are 500 gangs. There are no opportunities here, conditions are very poor. Have you been to Anapora? It’s a terrible place.
The police hate her. They don’t ignore her. “I would like it if they would ignore me,” she said. They campaign against her. One year and seven months ago, they began their campaign. Governor Patricio doesn’t like her: according to him, she doesn’t do anything right—she’s a terrible director, she steals the money, she herself is a violent woman. And so the stories go. When Esther began talking about the women, Patricio tried to silence her.
In this building, last December 21, 2001, her own receptionist was killed by her husband. This receptionist had four kids, eight years on down, and she was a wonderful worker, good, hard-working, prudent. The husband came to Casa de Amigo to kill her here. From jail, the husband has called for custody of the kids.
When we expressed dismay over this, she said that last week, she had to go rescue a woman who was impregnated by her father. She was 19 and had been raped by him for the last 8 years. She’d had two children. One, a little boy, died of malnourishment. The other, a little girl of 3.5 years, was asked by Esther what had name was. The girl said she had no name. When Esther took the 19 year old woman away, the father went to the Human Rights Agency and demanded that his daughter come back and they agreed to his demands.
There is another girl now who is 11 years old and in the fifth grade. She’s 7 months pregnant. Some woman, a neighbor maybe, took her to a man and he raped her. The father and mother of this girl are separated and she is treated like a puppet.
●
JUAREZ CENTER FIGHTS FOR FORGOTTEN WOMEN
By Tessie Borden
Arizona Republic Mexico City Bureau
Feb. 26, 2002 12:00:00
Arizona Republic Mexico City Bureau
Feb. 26, 2002 12:00:00
JUAREZ, Mexico -- It’s 9:30 a.m., and Esther Chavez Cano’s daily personal war with the unwanted problems of this largest of the border cities has begun.
She rushes into her office at Casa Amiga, the rape crisis center that grew out of the violence that has claimed the lives of more than 200 young women here in the past nine years. Close behind is a staff member describing this morning’s emergency: a neighbor found two girls, 8 and 10, wandering in the city’s El Chamizal park the previous night. They told the woman they were running away from their father’s beatings.
Chavez Cano immediately calls the local district attorney’s office, and one gets the feeling she has done this hundreds of times. In a firm but friendly tone, she calls on the attorneys there to take charge of the children and investigate what they say.
“The authorities just don’t do anything,” she whispers while on hold.
Chavez Cano’s Casa Amiga is the only center of its kind on the Mexican side of the 1,950-mile line that separates the country from the United States. Established in February 1999, it receives funding from both U.S. and Mexican organizations.
Chavez Cano, 66, a diminutive, retired accountant whose mild manner causes listeners to lean in just to hear her, is perhaps the most outspoken and militant voice here on violence against women.
In 1993, she noticed a trend among crimes committed in Juarez: dozens of young women were turning up slain in the surrounding desert. The bodies showed evidence of beatings, rape and strangulation. Many of the women fit a distinct profile: tall and thin, with long, dark hair and medium skin, between ages 11 and 25. Often, they came from the ranks of workers who yearly swell Juarez’s population from other parts of rural Mexico to work at border assembly plants, or maquiladoras.
In 1993, she noticed a trend among crimes committed in Juarez: dozens of young women were turning up slain in the surrounding desert. The bodies showed evidence of beatings, rape and strangulation. Many of the women fit a distinct profile: tall and thin, with long, dark hair and medium skin, between ages 11 and 25. Often, they came from the ranks of workers who yearly swell Juarez’s population from other parts of rural Mexico to work at border assembly plants, or maquiladoras.
Prodding the police
“They try to pretend these are not serial crimes,” Chavez Cano said of the local authorities. “It just brings your rage out. It makes you boil.”
Chavez Cano and others formed the Liga 8 de Marzo, an awareness group that collected data about the slayings and prodded police to give the murder investigations high priority - often by picketing the police station, holding crosses bearing names of victims.
No one agrees on the exact number of killings that are related.
Chavez Cano says about 230 women have been found in the past nine years, the most recent in November when eight bodies were discovered in a shallow pit. Some slayings have been traced to jealous husbands or drug traffickers. But a large number share characteristics that make investigators believe a serial killer and perhaps copycats are at work.
After raising awareness of the problem to a national level, Chavez Cano decided someone should work to prevent the deaths, rather than just clean up after the murderers.
Chavez Cano and others formed the Liga 8 de Marzo, an awareness group that collected data about the slayings and prodded police to give the murder investigations high priority - often by picketing the police station, holding crosses bearing names of victims.
No one agrees on the exact number of killings that are related.
Chavez Cano says about 230 women have been found in the past nine years, the most recent in November when eight bodies were discovered in a shallow pit. Some slayings have been traced to jealous husbands or drug traffickers. But a large number share characteristics that make investigators believe a serial killer and perhaps copycats are at work.
After raising awareness of the problem to a national level, Chavez Cano decided someone should work to prevent the deaths, rather than just clean up after the murderers.
Help from elsewhere
With start-up money from the Maryland-based International Trauma Resource Center, the Texas Attorney General’s Office and the Mexican Federation of Private Health and Community Development Associations, Chavez Cano opened Casa Amiga near the city center. A paid staff of four and an army of volunteers served 318 clients in Casa Amiga’s first year, providing a 24-hour hotline, counseling and group therapy.
Last year, the center added three staff members and served 5,803 clients, of which 1,172 were new cases.
Chavez Cano now worries about a troubling side issue: child sexual abuse and incest. Fifty-seven of her clients in the first year were raped children. So among her most successful programs is a puppet show that teaches children about “bad” touching and instructs them, in a gentle way, to respect their bodies.
The center takes most of her attention, but Chavez Cano does not let the police off easy when it comes to the slayings of women in the desert. They, in turn, have lashed out at her.
Last year, the center added three staff members and served 5,803 clients, of which 1,172 were new cases.
Chavez Cano now worries about a troubling side issue: child sexual abuse and incest. Fifty-seven of her clients in the first year were raped children. So among her most successful programs is a puppet show that teaches children about “bad” touching and instructs them, in a gentle way, to respect their bodies.
The center takes most of her attention, but Chavez Cano does not let the police off easy when it comes to the slayings of women in the desert. They, in turn, have lashed out at her.
An attitude of disdain
Arturo Chavez Rascón, Chihuahua state’s former attorney general, came in for some of her sharpest barbs because of his comments implying the victims contributed to their own deaths through their dress or lifestyle. It’s an attitude shared by police officers on the beat, who Chavez Cano says discourage families from associating with Casa Amiga.
The center used to receive about $3,000 a month from Juarez for rent and salaries, but that stipend has been cut, Cano said. Now, the center relies on money it gets from donations and showings around Mexico of the hit play The Vagina Monologues.
The center used to receive about $3,000 a month from Juarez for rent and salaries, but that stipend has been cut, Cano said. Now, the center relies on money it gets from donations and showings around Mexico of the hit play The Vagina Monologues.
Tragedy close to home
Recently, the center suffered a blow of a different kind.
In December, Maria Luisa Carsoli Berumen, an abused mother who had become a client and then a staff member at the center, was killed in front of Casa Amiga, witnesses say, by her husband, Ricardo Medina Acosta. The two had had a long and violent history that led to Carsoli Berumen leaving him. A court granted custody of their four children to Medina Acosta. She stayed in town, planning to wait until after the Christmas holidays to resume the custody fight.
On the morning of Dec. 21, the pair argued and struggled outside the center, and she was stabbed twice in the chest as she tried to flee. A black bow at the door expresses the staff’s grief. No one has been in arrested in Carsoli Berumen’s death.
In December, Maria Luisa Carsoli Berumen, an abused mother who had become a client and then a staff member at the center, was killed in front of Casa Amiga, witnesses say, by her husband, Ricardo Medina Acosta. The two had had a long and violent history that led to Carsoli Berumen leaving him. A court granted custody of their four children to Medina Acosta. She stayed in town, planning to wait until after the Christmas holidays to resume the custody fight.
On the morning of Dec. 21, the pair argued and struggled outside the center, and she was stabbed twice in the chest as she tried to flee. A black bow at the door expresses the staff’s grief. No one has been in arrested in Carsoli Berumen’s death.
Fighting for respect
“The death of Maria Luisa forces us to work more intensely to instill respect in children, men and women, and to sensitize the authorities to the grave risk for families and all of society that domestic violence represents,” Chavez Cano wrote in a column in the local newspaper.
“Rest in peace, Maria Luisa, and watch over your children so they remain united and sheltered by your loved ones who lament your absence.”
“Rest in peace, Maria Luisa, and watch over your children so they remain united and sheltered by your loved ones who lament your absence.”
10.26.2009
PLAYBOY does El Paso

Luis Alberto Urrea's article about El Paso is in the November issue of Playboy and it’s now on the newsstands. From what we hear, the issue is destined to be one of Playboy's most read issues because Marge Simpson is the cover girl. It's good PR for El Paso. Nationally, El Paso is usually dissed by the media. People wonder why we live here. How come Cinco Puntos is here? In the 1970s when Lee and I first moved from Albuquerque south in search of a job, we asked friends where we should live, El Paso or Las Cruces. “Oh,” they said, wrinkling up their noses like they caught the whiff of something spoiled, “Las Cruces. You don’t want to live in El Paso.” (Why that is / is a whole other subject.) Anyway, Luis’ piece will help people begin to think differently about El Paso. And people (yeah, yeah, 90% are men) do READ Playboy. There are things to do, places to go, people to see. Yes, Juárez is a few minutes away across the river, its suffering remains in our thoughts and prayers, we worry about friends and families, the narco-wars in the recesses of our dreams, but here in El Paso is great music, a vibrant intellectual and cultural life. It's the paradox that Luis was commissioned to write about.
Luis stayed with Lee and me during his visit. I drove him around some during the day, historian David Romo did the same and daughter Susie Byrd took him out for some nite-time excursions around downtown and the Central Side (as opposed to the East Side and the West Side and the North East--El Paso enjoys its multiplicities). I wrote two blognotes here and here about his visit.
Odd thing is that the piece has created a little political controversy in the parochial parts of the El Paso psyche. The reason: Susie is District 2 Representative on the City Council, and her good friend County Commissioner Veronica Escobar made a cameo appearance in the article because she joined Susie on a night-time excursion. Of course they had fun. Susie and Vero, both known for their progressive straightforward politics, are fun to be around. They joke and riff and laugh loudly and they dance. Their faces light up with happiness. Luis fit right in. No wonder, like the rest of us, he loves the fronterizo sounds of the band Radio La Chusma. He gave La Chusma big kudos in his piece. Indeed, he gave kudos to the vibrant rasquache energy of El Paso. In a letter to me he said the Playboy editors wanted him to make the piece meaner, they wanted him to put some diss into his language. But no, he wanted his writing to churn up some love for El Paso. [He was disappointed when the editors chopped his paean to Papa Burgers on Piedras Street.] So he was dumbfounded when a few of the city’s radiomouths started squabbling and bloviating and throwing mud at him and Susie and even Vero. Luckily for me I escaped the onslaught, probably because I’m only a poet and publisher, two occupations that are considered inconsequential among the blabbering class.
Oh, well. Playboy is making some El Paso bucks. I went to the Westside Barnes & Noble and bought three copies for our archives. The clerk told me he was selling them like hot cakes.
9.21.2009
Where was the Drug Czar? Where was the Border Czar?
Yeah, where were they? We know they weren't in El Paso Monday and Tuesday, September 21st and 22nd [See Footnote]. That's when the "Global Public Policy Forum" convened to discuss the U.S. War on Drugs 1969-2009. Yes, 2009 is not only the 40th anniversary of Woodstock, it's also the 40th anniversary of Richard Nixon's declaration of the War on Drugs. If I didn't enjoy irony, life in the real world would be a lot more boring. The War on Drugs, of course, has failed miserably. In El Paso we only have to walk down the street and cross a concrete ditch of a river over into our sister city of Juárez to know this is a fact. 3200 people have been killed over there in the last 20 months as the El Paso/Juárez Cartel battles it out with el Chapo's Sinoloa Cartel. The forum was arranged in a unique collaboration between academia--led by Drs. Kathleen Staudt, Josiah Heyman, Howard Campell of UTEP and many others--and the city of El Paso led by City Councilperson Beto O'Rourke. The El Paso City Council, you might remember, created a national buzz earlier in the year when it unanimously resolved to ask for a national open and honest discussion about the drug war. Although vetoed by Mayor John Cook with a number of frivolous charges, that resolution and its veto was the stimulus for the El Paso Forum.
The speakers and panels, for the most part, were interesting and very well-informed, and they came from Mexico and the U.S., from the academic, media, political and legal communities. The gist of most of their talks were--as reformed drug warrior Terry Nelson kept hammering at--was that the huge problems caused by the sale, the use and addiction to illegal drugs (everything from the cartels and the costs of drug interdiction) was not the drugs themselves, but the prohibition of those drugs. Hello! The one naysayer to that point of view was Anthony Placido, the Chief of Intelligence of the Drug Enforcement Administration. His speech on Tuesday was compelling simply because it was full of fear-mongering (full of horrific show and tell of dead bodies and brains with holes in them) and faulty logic. The job of the "state," as he kept referring to the government, was security, and the state had to balance its perceived notion of security against civil rights. Very Cheneyesque.
Actually, I was not going to mention Placido's talk in this brief description, but Tuesday night I heard a chilling story from a high school teacher in the El Paso Independent School District. He was in class, getting ready to give out a test, when police officers arrived at the door of his classroom with drug-sniffing dogs. They ordered all of the students out of the class and into the hall way where they were lined up against the walls while the dogs searched the room for drugs. Like I say, I was horrified. This is Big Brother scary kind of stuff and it's certainly not the way to go about teaching kids to be open-minded and curious about their lives and the world in which they live. I do not understand why the EPISD, the school administrators, the teacher's union or a group of parents have not loudly protested this invasion of the high school. Meanwhile, as was pointed out during a number of the forum panels, it's easier for students to buy marijuana out on the streets than it is to buy alcohol.
Please, Mr. Placido, sit down, take a deep breath and smell the roses. We need to inform you that the drug war has been lost. Not to worry. The cartels have made enough money so they will not go away. There will be plenty for you to do.
Oh, well. I'm told that soon the whole forum will be on-line and I will put links up to the various panels and discussions. You'll be able to be the judge. In the meantime, I'll list several of the on-line resources that speak for some of the speakers, plus newspapertree.com's article linking to some of the many national and internation media articles arising from the forum--
The newspaper tree link. Also, there are a number of other articles there about the forum as well as other pieces about the drug war and life on the frontera in genera.
Judge Jim Gray, a Republican judge from Orange County, gave one of the most compelling speeches. He didn't break any new ground. He simply stated his own history of realizing that the drug war wasn't working and his journey of research to write his book Why Our Drug Laws Have Failed. He could have been talking to the Chamber of Commerce or to a religious congregation and his speech would have been the same--full of common sense and honest.
Terry Nelson, a tall gangly ex-DEA agent, spoke with the grit and humor of a guy who has been in the trenches on the other side and realizes he's doing the wrong thing. He's on the board of LEAP, aka Law Enforcement Against Prohibition. He's a fun guy to listen to. He came to El Paso earlier in the year to lobby the city council members to stand up to Mayor Cook's veto. Four did (one of whom was daughter Susie Byrd), four didn't. Oh well. Terry Nelson is the kind of guy you'd like to have over simply to listen to his stories.
Ethan Nadelmann founded and is the executive director of the Drug Policy Alliance. Ethan is a drug policy savant, the kind of guy you don't want to be on a panel with because he knows the answers to most all questions, and he answers them with wit and enthusiasm. The Drug Policy Alliance is hosting its annual International Drug Policy Reform Conference in Albuquerque, November 12-14. It should be a good event. The times, as Bobby D used to sing, are a changing.
Congratulations to UTEP and to the City of El Paso for hosting this event. It made us proud. Below is a trailer to the conference, but if you are on facebook reading this, then follow this youtube link.
Footnote. I should also note that a number of elected officials did not show their faces or send representatives. I saw six City Council members there sometime during the two days (Carl Robinson and Rachel Quintana were no shows). Mayor Cook spoke at the beginning and his assistant Robert Andrade was helping organize during both days, County Attorney Jose Rodriguez spoke on one of the panels and attended several discussion, Congressman Silvestre Reyes sent a representative, likewise State Senator Eliot Shapleigh. It would have been nice to see our District Attorney Jaime Esparza, somebody from the police administration, somebody from the Sherriff's office. The Governor and Texas Senators should not be expected to attend because...well, somehow El Paso is not really part of Texas. Why? I don't know.
9.20.2009
Sunday Morning El Paso Texas
Sunday Morning in Sunset Heights,
A Discarded Rose
A Discarded Rose
El Paso & Juárez Sunday Morning
from the little park at the top of Scenic drive
from the little park at the top of Scenic drive
Sunday mornings, when I have the chance, I ride my bike from the Cinco Puntos Press National Headquarters (as John Byrd calls it) through downtown and up through Sunset Heights and Kern Place and across Scenic Drive which skirts around the southern edge of the Franklin Mountains. The mountains on the other side are the Sierra de Juárez. The Rio Grande (aka Rio Bravo) cuts through the two ranges of mountains. Hence, El Paso, the Pass. It's a beautiful ride. CPP is a few blocks from the tall buildings on the eastern edge of downtown. If you look closely between the clumps of buildings you can see one of the bridges that crosses into Juárez, but besides and a few other telltale signs recognizable only by folks who live here it seems to be one city. It is one city. A divided city. This side and that side. They say the same thing on the other side. But they say it Spanish.
And it's harder and harder to go back and forth.
9.04.2009
Round 2: Juarez/EP versus Luis Urrea @ Monument Marker #1
Please visit Round 1, my August 18 blog note about Luis Urrea's visit to El Paso, so that this will make a bit more sense.
Yes, this is the U.S./Mexico Border. It's the first marker set down to delineate the U.S/Mexico Border as established by the 1854 Treaty of Mesilla.) Behind us is where Francisco Madero established La Casita Gris as the capital of the Revolutionary Govermnent. In 1911 he and his little army crossed the Rio Grande (aka el Rio Bravo) and established his revolutionary government to do battle with the armies of the dictator Porfirio Diaz. It was here Pancho Villa, the Italian Garibaldi, Pascual Orozco and others sat and smoked and made plans with the little Madero¹. In the clump of salt cedar trees, you can see a bust of Madero.

Monument Marker #1 is truly a sacred spot. A contradiction of everything you read about in the newspapers or see on the TV about the U.S./Mexico Border. A few miles from the downtowns of El Paso and Juárez
And most importantly--geologically and historically--this is the place where the Rio Grande cuts through the mountains (hence, El Paso, or The Pass) and heads east toward the Gulf of Mexico. I don't know why the feds skipped the Monument Marker #1 Park and the Monte Cristo Rey which abuts it when they built their fence. Maybe they too recognized it's a special place in the local and national psyches of both nations. I doubt it.
The beast doesn't seem to have an imagination.
[¹The photograph of Orozco, Baniff, Villa and Garibaldi is found at the Library of Congress FLICKR site here.]
8.21.2009
Dreaming a Flat Bridge between Juárez and El Paso

Since Luis Urrea's visit to El Paso, I got sidetracked and I find myself moving around the furniture in my imagination about El Paso and Juárez. That's how I found this postcard tucked into our digital files for David Romo's Ringside Seat to a Revolution. How charming and idyllic it is, so much so it drips with the real blood of irony in comparing to what we have now. It's true, back in the day, the bridge between El Paso and Juárez was flat [*see note], and the Rio Bravo (aka, Rio Grande) was a common resource, certainly not a fenced and heavily guarded dividing line between El Norte and El Sur. Then in the early 60s the Kennedy Administration brokered the Chamizal Treaty which diverted the river into a concrete ditch. It also moved the border at the downtown bridge a hundred yards or so north, over which some pendejo engineer designed, and the feds built, a three story tall bridge. It's meaning was simple--divide one city from the other. These decisions, made in DC and DF, radically altered not only the river, but also south downtown El Paso, especially around the Segundo Barrio and Chihuahuita Barrio. And over the years since the 60s the culture and the politics of the two cities has changed dramatically. It was slow change at first, but then in the mid-90s to now, the change became accelerated. The border on the U.S. side has become a military camp for a number of federal agencies, each elbowing more and more space for themselves, fewer and fewer people from the U.S. go back and forth to enjoy families and friends and entertainment to simply enjoy Mexico, and illegal drugs and immigration have become essential cash industries for the Mexican economy. And so how do we reverse this insanity? How do we make our bridge flat again?
First thought, best thought: Rewrite the U.S. drug laws; remove the capitalistic incentive from the sale of marijuana, heroin and cocaine; and treat addiction as a sickness, not as a crime. But you say this to the bureaucrats in D.C., they just talk gobbley-gook, then they turn around and show you their fat asses. I'm a poet and I should be able to say this better, but, damnit, as I write this, it's Friday afternoon, and I'm tired of the insanity I see.
Insanity like a three-story bridge that should be a flat bridge.
●●
[**NOTE: Thanks to Roberto Camp who a long time ago explained to me that the building of that monstrosity of a bridge was a tipping point in the history of these two sister cities.]
7.06.2009
The Death of Dr. Manuel Arroyo Galvan

Aeschylus (525 BC - 456 BC), that old Greek bastard who wrote plays, said something like that 2500 years ago. Nothing has changed much since then. Especially in Ciudad Juárez a few minutes across the river from where I live . The Juarez Cartel is battling the Sinaloa Cartel for the right to use that city as its place of business. Since January 2008 more that 2200 people have been assassinated mob-style in La Ciudad Juárez. Felipe Calderon, the president of Mexico, has sent 10,000 federal troops to the city. His rationale was that the city police are dirty. They’re at the trough slopping up the mordida. For a while, the murders abated, but now they have returned with heart-numbing regularity. All the rich people, the powerful people, have fled the city. They live in El Paso or elsewhere. Even the mayor lives on this side of the river. The poor, the working class and the lower middle-class are bearing the brunt of the carnage. On the streets the people don’t trust the troops. They don’t trust the police. They worry that the authorities, whatever badge they are wearing, are working for either Juárez Cartel (the city police) or the Sinaloa Cartel (the army). These are the rumors. And rumors are as good as place as any for news. The newspapers aren’t trusted either. Juárez is not a safe place to write real news, hard news. Nosey journalists are killed with impunity. And now it seems the cartels and their collaborators are stepping into the academic and intellectual communities.
Listen here.
It’s May 29th, just a few weeks ago. A 44-year-old man is driving back to work on a hot afternoon. He lives in a desert city on the U.S./Mexico border, so he has the AC humming away at full blast and his window is open. Why? Because he likes the AC and he likes the smell of the air in his city, even if it is dirty. This man loves his car. It’s a 1992 Chrysler New Yorker, a huge boat of a car, una ranfla grande, with deep leather seats and lots of bells and whistles. A big roomy space good for all sorts of things—talk and laughter and kids and love-making. It’s the kind of car he dreamed about when he was kid. His parents were migrants from the state of Durango. They worked in the maquilas. They never crossed over to the United States, aka Gringolandia, so he grew up south of that little bit of a river that separates us from them. Back then his mother was an advocate of the Catholic Church’s Theology of Liberation, so at an early age he sat in living rooms listening to workers talking about organizing and creating better lives for their families and their people. He had listened to the anger, he had listened to the sorrow, he had seen how the poverty can grind into a family’s heart and he had hoped that something could be done. He too had gone to work in a maquiladora. $30 to $35 a week was probably the high end of his wage scale. But somehow—through a combination of happy karma and good luck, his and his city’s—he had entered the university and studied and worked himself up the ladder from a bachelor’s degree to a master’s and finally a PhD. He became a professor of social studies and education. So this man, this driver of the Chrysler New Yorker, is an academic, a well-respected leader in the local intellectual community. He is not afraid to butt heads with the jefes at the university, and he is working on a book about social movements in his city and the problems they confronted. He didn’t make much money, but that was not what his life was about. His life reflected who he was.
What I want to say is this: if I lived in this man’s city, then I would know him. He would be an acquaintance, a guy I'd talk to at parties or at a coffee shop, maybe at a poetry reading or an art gallery. He’s the kind of guy who I cross paths with all the time. He has the same intellectual, civic and emotional interests that I have. His world is like my world, his life is not unlike my life.
So he is driving his car and daydreaming. Like any of us on a sunny afternoon he’s distracted by this or that. Who knows what he is thinking about? He has both hands on the steering wheel, he has his seat belt on, he’s approaching an intersection, the light is turning yellow and a white panel van pulls up next to him on the driver’s side. The van comes too close, so much so the man looks over to see who it is. He’s pissed. Why doesn’t that vato look out where he’s going? The window of the van rolls down and a man he does not know points a gun at him. This unknown man shoots six times and the Chrysler New Yorker swerves into a telephone pole.
The driver is dead.

The day after I heard about Manuel Arroyo’s death I got the email below from my friend. Excuse the awkward translation. It is mine. Also, I want to say I will no longer give the names of any of my friends in Juarez. The shadow crosses the river. I have inserted the video inside his email which documents the march—
Comp@as,
The death of Manuel Arroyo is lamentable, not only for the insidious way he was assassinated, but also because he was a generous man and a active participant in our community, besides being a controversial and brave academic who on various occasions had to assume the political costs of his beliefs.
This past Friday, soon after we learned of his death, that congregated at la Megabandera [a park near the university over which is hoisted a giant flag of Mexico] and spontaneously marched to the Prosecutor General’s Office where we vigorously protested. It wasn't for nothing. Every one of us that joined this procession had shared with Manuel, in some moment or another, practices, spaces, discussions, arguments, desires and words, many words. Above all, we shared with him the determinations to transform the city.
With his death we have died a little, but this is the moment when we must walk into the street. We cannot stay in our homes waiting to see who will be the next victim nor can we permit that our first suspicion about the assassination rest with the victim.
It seems that the university has finally taken a position that is clear, definitive and articulate about the assassinations of Manuel, of professor Gerardo González and student Alejandro Irigoyen Flores y the disappearances of students Lidia Ramos Mancha and Mónica Janeth Alanís. This is an encouraging signal that things can change. We will gather today at six in the after at the Megabandera and march together.
In this way we can send a clear message that prevails in our city and in our country is untenable and that we demand a secure city, with respect to the human rights and individual guaranties for all. This is something very basic and elemental--that condition these rights prevail.
This is a critical moment and an extraordinary opportunity. We must make the effort and we must take to the streets.
A few days after that first spontaneous march, friends and comrades from the university held a larger, with speeches and reminiscences, sharing the life of Manuel Arroyo Galvan and his intellectual legacy in the city. It was a larger and more organized event, and it was covered in media in Juárez and El Paso. The two photos above, and also the photograph of the soldier in the Humvee at the top, were taken by border photographer Bruce Berman. Bruce, who has a daily blog documenting the border cities of El Paso and Juárez, attended the second march, his camera in his hand. At the event they organizers played the classic Mexican rock song by El Tri, “Rolling Stones,”—“Las Piedras rodantes.” Below is a video from youtube of Alex Lora of El Tri singing that song. Listen to it and learn the lyrics, which you can google and translate. It's a simple little way to mourn for Manuel Arroyo Galvan, to weep for him and to stand in solidarity with him and the citizens of La Ciudad Juarez.
Even if you are like me: You never knew him.
5.29.2009
Lost (and Found) in the Rain of Juárez
“Whatever,” as the kids say. It's just sad, sad stuff.
We crossed the Stanton Street Bridge. We were happy to be going to Juárez again. A quiet rain had begun to fall as soon as we topped the bridge. It came and went, sometime heavily, during our walk. It’s a month too early for the monsoons to begin saturating this part of the Chihuahua Desert, so the rain felt delicious and comforting. The desert, even in its cities, has a beautiful smell when it rains. It’s the smell of wet greasewood and sage bushes. Such dreamy cool weather for the end of May when in most years the thermometer is already climbing over 100. Now wonder Joe and I enjoyed walking in the rain and dancing among the puddles in the greasy streets. It was a great unexpected pleasure.
Just on the other side of the bridge we saw a covey of the Mexican army, seven men dressed in desert brown helmets and fatigues, packing automatic rifles and pistols. I wanted to take a photo but I didn’t dare. These seven unsmiling soldiers were dressed up to play Mexican Army but they didn’t inspire any confidence. Mostly 18 and 19 years old kids, they were loitering out of the rain under a big tree like malingering taxi drivers. Except these guys were carrying big guns.
We walked south down Avenida Lerdo—or as we call it, la Avendia de las Novias—where dress shops populate both sides of the street. The shops specialize in quinceañas and weddings, and the big windows are decorated with manikin dreams. The shops were empty of customers. Their incomes depend on the Mexican-Americans coming across and spending money. Nobody was crossing anymore. As far as they were concerned, nobody was getting married, nobody was celebrating a young girl’s 15th birthday. Maybe their world was drying up like an empty seed pod. The clerks peered at us through the drizzle, wondering where the two old gringos were going.
We walked down to Avenida Septiembre de la Diez y Seis and then west to the plaza and the cathedral and the mercados. At least people were wandering in the streets there. Except it didn’t feel like the border. The rain had changed the ambience. That and the absence of gringos and Mexican-Americans, folks with money in their pockets, folks to do business with. It could have been Veracruz or Hermosillo. Any place else further south. But the Mexicans were there at least. Juárez, like New York City, is a street city. It's vitality is out on the streets to watch and feet. A little band of of cristianos were singing corridos to Jesus in the gazebo of the plaza, women and children and men scurried back and forth, buying food for dinner, trying to make a peso somehow, laughing and screaming and chatting and singing. Music blared from loudspeakers. Behind the new mercados is Calle de Paz, a street of unbridaled laissez-faire capitalism. A few years ago Calle de Paz was packed with illegal vendors selling everything from song birds to rattlesnake rattles and herbs to ripped off DVDs (you can buy first run movies for $5) and any kind of dope if you knew who to ask, but after the city built the two new mercados the police ran all the street vendors away at gunpoint. One man, a leader of protesting vendors, was killed. Now, with the recession debilitating the street economies of Juárez, the puestos (stands) are creeping back into the streets. And of course the sad whores are still there. Calle de Paz is the last territory of the old whores, women in their 30s and 40s, fat and worn out, long past the hungry dreams of their late teens and 20s. They stood in the doorways of cheap bars, their eyes empty and lonely, watching the rain come down.
■■
This morning I woke up at 5am. I had stomach cramps. I had the runs on and off during the day. Oh well. A little memory from our journey. That happens on this side or that side. It happens everywhere. That’s how the Buddha died. He didn’t complain. People have a bad day, they make a mistake. That’s what my friend Art Lewis the famous sax player told me once. I'm still trying to learn.
■■
Here are a couple of poems of mine from my book The Price of Doing Business in Mexico (1998). They are both poems about Juárez and how I feel about that city that’s five minutes from where I write this. Both poems are the same poem differently, but that’s okay. (By the way, I've still not taken the time to figure how to put indents in the blogger, so if you want to see the poems the way they supposed to look on the page, buy the book.) And, oh yeah, the photograph of Lee and me is a favorite of mine, and I’ve used it numerous other places. It was taken in 1977 in Martino’s Restaurant on Avenida Juárez a few blocks from the bridge. Pedro Ruelas Alvarez, a street photographer, took the photograph. We were sitting in the corner booth by the front window. We were living in Las Cruces at the time, and we had no idea that we would ever move to El Paso. Ruelas, who charged us three dollars for the photograph, is now dead, but many of the waiters are still there. Martino’s is having a difficult time. If you have a chance, go by and eat there too.
■■
The Gavachos in the Photograph
They’ll tell you when you’re growing up
that water goes under the bridge,
but they don’t tell you about the bridge
that goes over to Avenida Juárez
where Martino’s Restaurant is
two doors down from the Kentucky Club.
The imagination opens those doors,
and there I am,
the big bearded gavacho in the straw hat,
the coral necklace,
drinking Dos XX Oscura
and thinking I will have enough riches in my pocket
to nourish my heart in case of love.
It’s Lee’s 32nd birthday, 1977,
a year before we moved to El Paso.
Isn’t she beautiful?
I am 35.
We sit in the corner booth by the windows
where the tiny Tarahumara children stand forever
with their outstretched hands
reaching into the emptiness of the 20th Century,
and a kaleidoscope of people walk
back and forth
looking for ways to lose themselves
in the dwindling twilight.
Glittering mirrors.
Hard-crusted bolillo rolls.
French onion soup.
Chateaubriand for two fried in butter French-style.
We become stuffed and drunk and happy.
We wander the streets holding hands,
we climb a rickety staircase
to a small $10 room with clean sheets,
we make love like resplendent wild beasts
in search of something Jesus said,
and then we walk back into
the jingle-jangle of Avenida Juárez.
That was twenty-one years ago now.
Nothing has really changed except us.
Pedro Ruelas Alvarez,
the street photographer who took this picture
is dead now.
Like my mother is dead.
My sister Patsy.
My brother Bill.
Like Lee’s mother and father.
“Water under the bridge, ¿verdad?”
Another gavacho couple is sitting in that booth tonight.
They are looking out the window
at the Indian children with the large black eyes,
and they are afraid
of what they see in that confusion.
Give them a quarter, mister,
give them a dollar,
give them back the secret places
in the mountains where their spirit thrives.
That’s what I always want to do,
to give away something to make myself whole,
but it seems so impossible,
even to give something to myself.
At least I feel like I am at home now,
here in El Paso,
walking back and forth across the bridge,
and I’m hoping to find enough riches in my pocket
to cure some of the ache in my heart.
This is my prayer—
May God grant us all love
and a little bit of peace on Avenida Juárez.
Amen.
■■
How to Eat Stuffed Fish in Juárez
Jesus died for the sins of us all.
So I walked across the bridge to Mexico
with my friend Rus the basketball coach,
and we ate fish at the Villa del Mar
which seemed like
the natural thing to do.
It was Lent in a Catholic country.
The waiter was a pro, thank God.
Two Bohemias apiece,
chips and fresh pico de gallo,
bolillos (on the soft side)
a good and simple caldo,
the pescado was rellenado
con tiny shrimp and crabmeat—
the bill was 16 bucks and we added a four dollar tip,
becoming heroes because we had money in our pockets.
Outside the afternoon had become night.
The glass doors opened,
and like always
there was the river
of dark fleshy people
who walked up and down
like they knew where they were going.
Hallowed be their names.
Hallowed be all of our names.
We went and said Hello to Benito Juárez,
stern el Presidente Indigeno
gloriously astride a marble and bronze pedestal
in the exact center of a plaza
that carried his name like secret ammunition.
Pancho Villa and Emilio Zapata
were somewhere in the shadows of the flimsy trees,
happy to be the guardians of a pair of lovers
who were snuggled up on a green park bench.
The man had his hand inside the woman’s white blouse.
We turned back into the clutter of human beings,
the clanging traffic,
and a little Tarahumara brother and sister who found us
like lost pieces of a puzzle, blessed us
with their sad hunger, their black watery eyes
blinking with the memory of
the Sierra Madre,
hunger,
narcotraficantes,
dead babies,
lost Gods.
All that we had to give was money.
50¢ for each of them.
Enough so that they fled back to their mother,
a tiny woman who sat on the curb with another baby
wrapped in a rebozo that was becoming the color of night.
It would have been nice
to have had my wife along beside me,
friend and lover, a woman
to touch my hand crossing the confused streets.
But Rus was okay—
he listened to the disturbances in my sentences
like a friend is supposed to do,
at least until he ran into a British travel-writer-novelist-acquaintance
who towed along a wife and a blonde couple from Baltimore,
all of them younger than me, all of them
delighted with who they were and who
they were going to be.
I should have told them about my brother Bill,
59-years-old,
whose heart burst open one morning
two months before
after he had bagged his limit one last time
of beautiful mallard ducks
from the cold Mississippi sky.
The Holy Trinity—
God the Holy Blood,
God the Holy Dead,
God the Holy Food.
I didn’t because
this was Mexico and Mississippi is Mississippi
and my brother was dead now
forever.
So there we all were
five gavachos on the other side
with nothing to talk about
except ourselves.
We avoided the subject for the most part.
At least we didn’t talk about basketball.
Thank you, Jesus.
I bought a bottle of Tequila and went home.
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